These are the different sequences of footage composed in Final Cut Pro. The average number of photographs per footage is 800, the frame rate is 8fps.

Dark Canal Water

Blue Canal Water

Close-up Reflection of gasometer

Reflection of gasometers

The next one is a composite of two sequences overlayed, as I said in the symposium, to mirror the process used on the valve images where I merged two different exposures I am exploring the merging of two different footages into one. This presents to the viewer a double set of information of exactly the same location captured at different times, bringing the concept of time capture closer to mind.
The sequence shown below is just the basis for the final piece where the pace of the sequence will slow down at random intervals reminding us of the static nature of the footage and bringing back the pensive quality of photography.

The following are two rough sketches for the proposed installation of the screens that will show the final footage. The idea is to show the same footage on three screens sequentially so the water movement is emphasized, traveling from one screen to the next one (past-present-future), showing the time line and narrative by using the vertical spatial display. I  think that the formalism of this display ties in with the formality of the valve typology displayed on a frame. It makes a connection in between the two pieces of work strengthening  their viewing context.

Front view

Back view

A previous idea was to have it in a low rectangular box, with the monitors looking up, simulating the way I took the footage of the water.

and this was a former idea of having 3 plasma screens on a corner set, it has an inclusive feeling but it is very different from the way in which I am displaying my valve piece, if I were to have a room just for the displaying of this piece, this shape could have been a good proposal but with large x large scale screens instead.